Heavy Traffic at the Salt Marsh

oil on canvas | 80 × 100 cm | 2026

"Experiences, places, surfaces, textures, encounters, they all accumulate and get stored without conscious organisation. I fill up and need to paint to allow things to flow out of this reservoir into form."

  • Colourful abstract oil painting in bright Parisian style bedroom, terracotta yellow blue and green contemporary art above linen bed, statement painting for elegant airy interior, Martin Finnin Irish artist
  • Close up of canvas corner on easel showing pale blue ground with green botanical forms and teal blue shape, layered oil paint surface detail, Martin Finnin West Cork studio
  • Colourful abstract oil painting in bright modern apartment, terracotta yellow blue and green contemporary art on white wall, statement painting for minimal Scandinavian interior, Martin Finnin Irish artist
  • Canvas edge detail of original oil painting on easel, yellow ochre green blue and terracotta forms showing paint depth and texture, West Cork studio stone wall, Martin Finnin Irish artist
  • Colourful abstract oil painting above sofa in warm Scandinavian living room, terracotta yellow blue and green contemporary art, statement painting for natural wood interior, Martin Finnin Irish artist
  • Abstract oil painting on easel in West Cork studio, terracotta yellow blue and green forms, found objects and studio debris on floor including green letters and old clock, Martin Finnin Irish artist

Heavy Traffic at the Salt Marsh

oil on canvas | 80 × 100 cm | 2026 

The world and its objects are my tutors. My surroundings inspire what I end up painting and it can't be helped.

In cities I painted cranes from building sites and dockyards. In Berlin my studio was high up in an old Stasi building and I painted clouds. Now in West Cork I paint nature, not just what I see but the feelings it evokes. The energy of the nearby wind and sea has infused some of the brushstrokes. Certain strokes have a sense of urgency mixed with fear and excitement, like breaking the glass in a window.

This painting has elements of the salt marshes I pass on the way to a nearby beach. On a hill behind it is a small forest of strangely sculptural trees, shaped by wind and spray. I also brought it to Ballyfin House on an arts residency in 2025, which was inspiring in so many new ways that I am still processing it.

THE PAINTING’S JOURNEY

THE PAINTING’S JOURNEY

MARCH 2025

MARCH 2025

AUGUST 2025

SEPTEMBER 2026

THE PAINTING’S JOURNEY

FEBRUARY 2026

SEPTEMBER 2025

MARCH 2026

MARCH 2026

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"You uncover ideas through painting."

— Martin Finnin

Heavy Traffic at the Salt Marsh

oil on canvas | 80 × 100 cm | 2026